晦暗中的透明——论车前子诗歌的悖论艺术  

Transparency in Obscurity:On the Paradoxical Art of Che Qianzi’s Poetry

作　　者：赵东 ZHAO Dong(School of Literature and Media,Chaohu University,Hefei 234082,China)

机构地区：[1]巢湖学院文学与传媒学院,安徽合肥234082

出　　处：《苏州教育学院学报》2024年第6期17-22,共6页Journal of Suzhou College of Education

基　　金：安徽省社会科学创新发展一般项目(2022CX132)。

摘　　要：车前子认为诗不是发现,是发明。其诗歌创作实践遵循了道家“反者道之动”的文化传统和现代诗歌的创新思维。车前子在书写江南古典文化的同时也彰显了现代诗歌精神,并在想象与隐喻中实现了古典与现代之间的矛盾统一。车前子诗歌创作的特点主要表现在隐秘幽深的幽人写作、点铁成金的语言艺术和表意法的灵活运用。Che Qianzi believes that poetry is not about discovery,but invention.His poetic creation follows the cultural tradition of Taoism’s“the movement of the Dao is in reverse”and the innovative consciousness of modern poetry.While writing about the classical culture of the Jiangnan region,Che Qianzi also highlights the spirit of modern poetry,achieving a contradictory unity between the classical and the modern in imagination and metaphor.The characteristics of Che Qianzi’s poetry creation are mainly manifested in the implicit and profound hermit writing,the alchemical language art of“turning iron into gold”,and the flexible use of the expressive method.

关 键 词：车前子 当代诗歌 悖论 点铁成金 表意法 

分 类 号：I207.25[文学—中国文学]