帕提尼尔风景图像中的视野、叙事与隐喻  

The Perspective,Narrative,and Metaphor in Patinir’s Landscape Imagery

作　　者：姚明睿 潘勇[1] YAO Ming-rui;PAN Yong(Academy of Fine Arts,Huaibei Normal University,Huaibei Anhui,235000)

机构地区：[1]淮北师范大学美术学院,安徽淮北235000

出　　处：《山西大同大学学报（社会科学版）》2024年第6期151-155,共5页Journal of Shanxi Datong University(Social Science Edition)

基　　金：安徽省高校人文社会科学研究项目“地区博物馆与皖北地域文化建设”(SK2018A0372)。

摘　　要：16世纪在尼德兰的艺术中心安特卫普,随着自然主义对艺术的不断影响,自然景观从以往作品中的装饰性附属转变为阐释自然与文化的视觉媒介。这种具有现代意义的风景画图式始于帕提尼尔,他对画面的构建展现出独特的景观视野,在诠释理想的自然空间过程中同时暗含了复杂的叙事结构与隐喻意义,风景从宗教艺术的阐释空间中逐渐独立出来。In the 16th century,in Antwerp,the artistic center of the Netherlands,naturalism increasingly influenced art,trans-forming natural landscapes from decorative elements in earlier works into visual media for interpreting nature and culture.This mod-ern conception of landscape painting began with Patinir,whose compositions revealed a unique scenic perspective.In presenting an idealized natural space,the imagery simultaneously conveyed complex narrative structures and metaphorical meanings.Consequent-ly,landscapes gradually emerged as independent subjects,moving away from their role as mere interpretive spaces in religious art.

关 键 词：帕提尼尔 风景图像 景观视野 叙事性 隐喻性 

分 类 号：J231[艺术—美术]