基于战国采桑宴乐攻战铜壶纹样的城市地铁壁画设计——以北京市为例  

URBAN SUBWAY MURAL DESIGN BASED ON THE PATTERN OF MULBERRY PICKING AND FEASTING DURING THE WARRING STATES PERIOD—TAKING BEIJING AS AN EXAMPLE

作　　者：丁浩 邓莉丽[1] 陈小桐 DING HAO;DENG LILI;CHEN XIAOTONG

机构地区：[1]江苏大学艺术学院

出　　处：《设计》2024年第24期20-24,共5页Design

摘　　要：将铜壶装饰纹样应用于北京市的地铁壁画设计中,使古代传统造物与现代设计相结合,并得以创新性发展,传播历史文物的艺术价值的同时,提高地铁壁画的文化意蕴,以满足地铁公共空间装饰的文化性、艺术性和创新性需求。以藏于故宫博物院的战国采桑宴乐攻战铜壶为研究对象,从设计学角度切入,采用定性和定量研究、案例研究、实地调查、视觉动力分析等研究方法,对其纹样形式及构成进行研究,并提取其中的元素,与北京标志性建筑、城市色彩等相结合,进行壁画设计实践。战国采桑宴乐攻战铜壶纹样题材丰富、形式多样、构图独特,具有浓厚的时代特色与艺术价值。将铜壶纹样进行元素提取并结合地铁站地域文化元素进行壁画设计,应用于地铁公共空间之中,能够实现传统造物文化的传承和地铁壁画艺术的创新。The purpose is to apply the decorative pattern of copper pot to the subway mural design in Beijing,so that the combination of ancient traditional creation and modern design can be innovatively developed,the artistic value of historical cultural relics is disseminated,and the cultural connotation of subway murals is improved to meet the cultural,artistic and innovative needs of subway public space decoration.The method is to take the Warring States Period mulberry banquet battle copper pot hidden in the Palace Museum as the research object.From the perspective of design,qualitative and quantitative research,case studies,field investigation,visual dynamic analysis and other research methods are used to study its pattern form and composition,and extract the elements,and the iconic buildings in Beijing.Combine urban colors to carry out mural design practice.The conclusion is that the warring States period has rich themes,diverse forms and unique composition,with strong characteristics and artistic value of the times.The elements of the copper pot pattern are extracted and combined with the regional cultural elements of the subway station for mural design,which is applied to the public space of the subway to realize the inheritance of traditional creation culture and the innovation of subway mural art.

关 键 词：铜壶纹样 形式构成 地铁壁画 地域文化 公共空间 

分 类 号：J52[艺术—艺术设计]