基于“可视的叙事史”探讨萨金特《毒气战》中的色彩表现  

Exploring the Color Representation in Sargent's"Gassed"Based on"Visual Narrative History"

作　　者：李柏林 曾成钢 Li Bolin;Zeng Chenggang(Shanghai Academy of Fine Arts,Shanghai University)

机构地区：[1]上海大学上海美术学院

出　　处：《色彩》2024年第10期84-86,共3页Color

摘　　要：《毒气战》是美国著名画家萨金特的油画作品。它描绘了一战期间在德国化武的攻击后,一群因毒气受伤的士兵形象。本文通过对《毒气战》的图像色彩分析,在彼得•伯克(Peter Burke)《图像证史》的基础上,试图用图像学研究方法讨论萨金特《毒气战》中的色彩表现,以及作品所反映的真实性。从萨金特的战争画艺术表现分析色彩图像作为“可视的叙事史”在描绘历史事件中的重要作用。"Gassed"is an oil painting by renowned American painter Sargent.It depicts the image of a group of soldiers injured by poison gas after a chemical attack in Germany during World War I.This article attempts to discuss the color expression and authenticity reflected in Sargent's"Gassed"through the analysis of the image colors in the work,based on Peter Burke's"Eyewitnessing":The Uses of Images as Historical Evidence.Analyzing the artistic expression of Sargent's War painting and the important role of colour images as a"Visual Narrative History"in Describing Historical Events.

关 键 词：《毒气战》 图像学研究 “可视的叙事史” 色彩 

分 类 号：J213[艺术—美术]