检索规则说明:AND代表“并且”;OR代表“或者”;NOT代表“不包含”;(注意必须大写,运算符两边需空一格)
检 索 范 例 :范例一: (K=图书馆学 OR K=情报学) AND A=范并思 范例二:J=计算机应用与软件 AND (U=C++ OR U=Basic) NOT M=Visual
作 者:王丽[1] Wang Li(School of Fashion,Beijing Institute of Fashion Techenology)
机构地区:[1]北京服装学院服装艺术与工程学院
出 处:《色彩》2024年第10期96-99,共4页Color
基 金:国家社会科学基金艺术学重大项目(20DZ10):北京市学科建设—国家特殊需求—中国传统服饰文化抢救传承与创新设计人才培养项目(NHFZ20230012);北京服装学院2023年教育教学改革项目(项目编号NHFZ20240063)。
摘 要:唐代诗人以其独特的审美情趣和深邃的情感表达,将色彩意象运用得淋漓尽致,将其与情感、社会身份等相联系。唐诗中的服饰色彩斑斓多样,通过色彩所折射出来的品色服制、所融含的丰富情感、所反映的流行时尚以及在此之上的工艺技术、文化审美、民族交往和人们的精神诉求,造就了唐诗与服饰的完美结合。色彩在诗词中已经远远超出了其本身的视觉意义,成为情感和意境的重要载体,也是对当时流行时尚的真实映照。Tang Dynasty poets,with their unique aesthetic taste and profound emotional expression,used color imagery to the fullest extent,associating it with emotion,social identity,and so on.In Tang Dynasty poetry,a wealth of color-related clothing terminology serves as symbolic representations,becoming a carrier for reflecting social culture,ethical concepts,and emotional conveyance.The clothing in Tang poetry is colorful and diverse.Through the reflection of color,the clothing and the rich emotions it contains,the popular fashion it reflects,as well as the craftsmanship,cultural aesthetics,cross-cultural exchanges,and people's spiritual demands on top of it,the perfect combination of Tang poetry and clothing is created.Color in poetry has far exceeded its mere visual significance,becoming an essential medium for conveying emotion and ambiance,as well as an authentic reflection of the prevailing fashion trends of the time.
分 类 号:J523.5[艺术—艺术设计] TS941.11[轻工技术与工程—服装设计与工程]
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在链接到云南高校图书馆文献保障联盟下载...
云南高校图书馆联盟文献共享服务平台 版权所有©
您的IP:18.223.172.41