汉剧剧装蟒袍的虚拟仿真穿戴与AIGC设计应用研究  

Research on virtual simulation wearing of Han opera costume python robe and AIGC design application

作　　者：李海兵[1] 姜雨轩 喻世鹏 LI Haibing;JIANG Yuxuan;YU Shipeng(College of Fashion and Arts,Hubei Institute of Fine Arts,Wuhan 430200,China)

机构地区：[1]湖北美术学院时尚艺术学院,湖北武汉430200

出　　处：《东华大学学报（社会科学版）》2024年第4期82-92,共11页Journal of Donghua University:Social Science

基　　金：2023年度IFA时尚艺术研究中心基金项目“汉剧传统戏衣技艺可视化数字保护与传承发展研究”(项目编号:IFA-2023-01)。

摘　　要：汉剧剧装是汉剧文化的核心组成部分之一。该文以蟒袍为主要研究对象,通过使用数字虚拟仿真技术对戏剧剧装穿戴规制的款式结构、纹样色彩等多个维度进行系统化数据采集与分析,其目的在于利用虚拟仿真技术对汉剧剧装进行恢复性研究,使其能规范并长久性保存,为中国戏曲文化语料库的建设提供源数据。通过虚拟仿真等数字技术探索传承保护剧装新路径,并以蟒袍剧装中的穿戴结构纹样元素为例,利用AIGC(人工智能生成内容)技术进行创新实践,不断丰富汉剧剧装的文化内核,持续推动汉剧文化的创新发展。As one of the core components of Han opera culture,Han opera costume is the main research object in this article.Through the use of digital virtual simulation technology,systematic data collection and analysis are carried out on the style structure,pattern color and other dimensions of the regulation of costume wearing in Han opera.The purpose is to use virtual simulation technology to conduct restorative research on Han opera costume,so that it can be standardized and preserved for a long time,and provide source data for the construction of the Chinese opera culture corpus.Exploring new paths for inheriting and protecting theatrical costumes through digital technologies such as virtual simulation,and using AIGC technology to innovate and practice the wearing structure pattern elements in the python robe theatrical costumes,continuously enriching the cultural core of Han opera costumes and promoting the innovative development of Han opera culture.

关 键 词：AIGC 虚拟仿真 汉剧剧装 蟒袍 穿戴研究 

分 类 号：J816[艺术—戏剧戏曲] TB472[一般工业技术—工业设计]