革命“顿挫”中的“忧郁”与幻想——重读丁玲的《阿毛姑娘》  

The Fantasy and the"Melancholy"During the"Setbacks"of the Revolution:Rereading Ding Ling's Girl Ah Mao

作　　者：冷嘉 LENG Jia(Department of Chinese Language and Literature,Shanghai Normal University,Shanghai 200233,China)

机构地区：[1]上海师范大学中文系,上海200233

出　　处：《妇女研究论丛》2024年第6期112-125,共14页Journal of Chinese Women＇s Studies

摘　　要：本文将《阿毛姑娘》放在1928年大革命失败后的时代语境中进行解读,由此探究丁玲早期小说中人物的“忧郁”所传达的复杂意涵。阿毛从产生幻想到最终毁灭的过程,亦可视为五四后知识女性的精神和情感历程的一个隐喻。从阿毛进入“现代”的心灵历险,可以窥见幻想的运作机制和相关连的“虚荣”所隐含的逻辑,以及20世纪20年代流行的“恋爱至上主义”的魅影。丁玲以文学的方式对这些带有时代印记的思想话语和精神症候作了抉心自食般的批判性分析。This article interprets Girl Ah Mao in the context of the era after the failure of the Great Revolution in 1928 and explores the complex implications of the"melancholy"of the characters in Ding Ling's early fictions.The process from the generation of fantasy to the final destruction of Ah Mao can also be regarded as a metaphor for the spiritual and emotional journey of intellectual women after the May Fourth Movement.From Ah Mao's spiritual adventure into the"modern"era,we can glimpse the operating mechanism of fantasy and the logic implied by the related"vanity",as well as the phantom of the"love is best"popular in the 1920s.Ding Ling made a criti-cal analysis of these ideological discourses and mental symptoms with the imprint of the times in a unique literary way.

关 键 词：丁玲 《阿毛姑娘》 大革命 幻想 虚无主义 

分 类 号：I206.6[文学—中国文学]