重写经典,再造南洋——论黄锦树的小说创作  

Rewriting Classics,Remaking Southeast Asia:On the Novelistic Creation of Ng Kim-Chew

作　　者：骆江瑜 LUO Jiangyu(School of Chinese Language and Literature,South China Normal University,Guangzhou 510006,China)

机构地区：[1]华南师范大学文学院,广东广州510006

出　　处：《苏州教育学院学报》2024年第5期54-60,共7页Journal of Suzhou College of Education

基　　金：国家社会科学基金重大项目(22&ZD276)。

摘　　要：作为马来西亚华文文学新生代作家中的异类,黄锦树始终站在传统马华文学的对立面,戏改文学经典,再造南洋侨乡。黄锦树从文学体制生成视域论述鲁迅、郁达夫从“经典化”对象到“反经典化”标的的身份转变。在具体的文学实践上,黄锦树的再造经典表现为故事新编和逝者归来。黄锦树试图通过消解经典的文学实践夺回当代马华文学的发声权。As an outlier among the new generation of Malaysian Chinese writers,Ng Kim-Chew has always stood in opposition to traditional Malaysian Chinese literature,playfully rewriting literary classics and remaking the Southeast Asian diaspora.Ng Kim-Chew discusses the transformation of Lu Xun and Yu Dafu from“classicized”subjects to“anti-classicized”targets from the perspective of the origination of literary institutions.In specific literary practices,Ng Kim-Chew’s remaking of classics is manifested in the rewriting of stories and the return of the dead.Ng Kim-Chew attempts to regain the voice of contemporary Malaysian Chinese literature through the literary practice of dissolving classics.

关 键 词：马华文学 经典 黄锦树 郁达夫 鲁迅 

分 类 号：I206.7[文学—中国文学]