文化记忆理论中的档案思想:理论联结、实践指导与数字时代发展  

Archival Thoughts in Cultural Memory Theory:Theoretical Connections,Practical Guidance,and Development in the Digital Age

作　　者：王玉珏[1,2] 陈思伶 WANG Yujue;CHEN Siling(School of Information Management,Wuhan University,Wuhan 430072;Intellectual Computing Laboratory for Cultural Heritage,Wuhan University,Wuhan 430072)

机构地区：[1]武汉大学信息管理学院,武汉430072 [2]武汉大学文化遗产智能计算实验室,武汉430072

出　　处：《档案学研究》2024年第6期13-21,共9页Archives Science Study

基　　金：2022年国家社会科学基金年度重点项目“数字时代档案记忆理论创新研究”(22ATQ009)的阶段性研究成果。

摘　　要：阿斯曼夫妇的“文化记忆理论”推动记忆研究转向文化研究范畴,对丰富档案记忆观、重塑档案叙事体系,以及推动数字记忆理论与实践发展,裨益良多。剖析理论,从媒介、存储、利用、主体四个视角阐释文化记忆理论中的档案思想。解析实践,在文化记忆理论的指导下,数字时代的档案记忆实践呈现出档案化、社会化、可体验的特点。审视发展,数字媒介带来记忆存储、构建、开发方式的变革,推动档案记忆和文化记忆的边界变得模糊,也为两者带来共同的发展和挑战。The cultural memory theory proposed by the Assmann couple has propelled the research on memory towards a cultural perspective.It has significantly contributed to enriching the perspectives on archival memory,reshaping archival narrative frameworks,and promoting the development of digital memory theory and its practice.By analyzing the theory,this study illustrates the archival thoughts in cultural memory theory from four perspectives of media,storage,utilization and subjects.Through practical analysis,it is found that under the guidance of cultural memory theory,the archival practices in the digital age demonstrate three characteristics:the utilization of archives to store memory,public participation in memory construction,and the presentation of memory in an experiential way.In terms of development,digital media has brought about changes in memory storage,construction,and development methods,blurring the boundaries between archival memory and cultural memory,while presenting common opportunities and challenges for them.

关 键 词：文化记忆理论 档案记忆观 数字记忆 数字时代的档案记忆理论 

分 类 号：G270[文化科学—档案学]