论川东巴文化圈的审美文化特征  

On the Aesthetic Characteristics of Ba Culture in Eastern Sichuan

作　　者：姜约 JIANG Yue(Office of Science and Technology Sichuan University of Arts and Science,Dazhou Sichuan 635000,China)

机构地区：[1]四川文理学院科技处,四川达州635000

出　　处：《四川文理学院学报》2024年第6期105-111,共7页Sichuan University of Arts and Science Journal

基　　金：教育部2020年人文社会科学研究规划基金项目“审美生活与乡村振兴:土家族传统文化的价值及其创新转化研究”(20YJAZH042)。

摘　　要：川东地区是是巴文化的浸润、发展、定型和现代传承之地,是典型的“巴文化圈”。这一区域的巴文化具有持有土家族身份的巴人后裔人口比例较小、巴人后裔来源较为复杂、显性巴文化特征失落较为严重、巴文化性格对川东居民影响深远等四个方面的特征,这对该地区人民的审美习俗受到这些特征的影响,使得川东巴文化圈中人的审美文化具有了现存显性形态的巴文化形式明显偏少、具有巴文化特征的审美文化广泛分布并于与其他族群审美文化相混杂、形式上与巴文化无关却在文化属性上属于巴文化等特征。The eastern Sichuan area is the place of Ba culture infiltration,development,stereotyping and modern inheritance,which is a typical“Ba culture field”.The Ba culture in this region is characterized by a small proportion of the population of the Ba people with Tujia identity,a complex source of the Ba people,a serious loss of the explicit Ba cultural characteristics,and a profound influence of the Ba cultural character on the residents of eastern Sichuan.These characteristics have influenced the aesthetic customs of the people in this region.As a result,the aesthetic culture of the people in the Ba cultural field has some characteristics,such as the obvious minority of the existing dominant form of the Ba culture,the wide distribution of the aesthetic culture mixed with the aesthetic culture of other ethnic groups,and the conflicting feature of having no relatedness to Ba culture in terms of forms but belonging to it in terms of cultural attributes.

关 键 词：川东地区 巴文化圈 审美文化 特征 

分 类 号：G03[文化科学] G127