从战国秦汉楚地漆器奇幻图像到“象思维”的探析  

From the Fantasy Image on lacquerware at Chu State from Warring States to Qin and Han Dynasty to the explore of"Xiang Thinking"

作　　者：张智艳 戴浩天 杨健[1] ZHANG Zhi-yan;DAI Hao-tian;YANG Jian

机构地区：[1]湖南科技大学建筑与设计学院,湖南湘潭411201 [2]湖南大学信息科学与工程学院,湖南长沙410000

出　　处：《中国生漆》2024年第4期12-18,共7页Journal of Chinese Lacquer

基　　金：2021年度湖南省社会科学成果评审委员会重点项目(编号:XSP21ZDI016)阶段性成果。

摘　　要：战国秦汉楚地漆器艺术是楚地文化的代表。文章运用历史学、设计学、类型学、教育学等方法对战国秦汉楚地漆器进行学科交叉研究,探析漆器奇幻图像的艺术特征以及思维特征,思考漆器奇幻图像创作者思维特点于当下人工智能时代设计学价值,提出人工智能时代,设计者合理运用“象思维”与“概念思维”将共同创造一个从“无”到“有”原创设计思路。The lacquerware art of Chu in Qin and Han dynasties is the representative of Chu culture.This paper uses the methods of history,design,typology and pedagogy to make interdisciplinary research on lacquerware at Chu State in the Warring States,Qin,Han Dynasty.Through exploring the artistic characteristics and thinking characteristics of the fantasy images on lacquerware,the article gives the consideration of thinking characteristics by those fantasy image creators characteristic and the value in design theory of those characteristics in the current era of artificial intelligence.the article also points out that through rational use of“Xiang thinking”and“conceptual thinking”by designers,it will create an original design idea from“nothing”to“something”in the era of artificial intelligence.

关 键 词：漆器 奇幻图像 “象思维” 原创之思 “大象无形” 

分 类 号：K876.7[历史地理—考古学及博物馆学] K231[历史地理—历史学] K232