汉代楚地漆器凤鸟纹在现代字体设计中的应用  

The application of the Chu phoenix pattern lacquerware of Han Dynasty in modern font design

作　　者：季容慧 张智艳 JI Rong-hui;ZHANG Zhi-yan

机构地区：[1]湖南科技大学建筑与设计学院,湖南湘潭411100

出　　处：《中国生漆》2024年第4期19-24,共6页Journal of Chinese Lacquer

基　　金：2021年度湖南省社会科学成果评审委员会重点课题(编号:XSP21ZDI016)。

摘　　要：汉代是漆器发展的高峰期,其凤鸟纹样极具特色,不仅蕴含着汉代的时代思想同时具备极大的艺术审美性。然而现在以研究漆器审美特征的文章为多,而在现在设计中缺乏漆器独特的韵味。文章以汉代漆器凤鸟纹样为对象,进行再设计,与字体设计相结合。主要通过文献调研法和图像分析法对汉代楚地漆器凤鸟纹样的颜色、造型、构成和语义四个方面进行分析,总结得出汉代漆器凤鸟纹在颜色上具有厚重和深沉之美,造型上具有纤细和动态之美,构成上具有秩序和工整之美,语义上具有神秘和生活之美。调研现在各种宣传方式中对于主题文字的需求,从而制定最佳的设计方案。对凤鸟纹样进行提取、简化、概括等方式将圆眼,尖头,卷尾的特点融入到字体设计中。The Han Dynasty is the peak of the development of lacquerware.Its phoenix pattern is very distinctive,which not only contains the ideology of Han Dynasty,but also has great artistic aesthetics.However,there are many articles paying attentions on the aesthetic characteristics of lacquerware,but the unique charm of lacquerware cannot be found in the current design.The article takes the phoenix pattern lacquerware of Han Dynasty as the object,carries on the redesign,and combines with the font design.This paper analyzes and summarizes the four aspects of color,shape,composition and meaning of the phoenix pattern on the Chu lacquerware of Han Dynasty,and concludes that the phoenix pattern lacquerware of Han Dynasty has the beauty of heaviness and profundity on color,the beauty of delicate and dynamic on shape,the beauty of order and neat on composition,and the beauty of mystery and life on meaning.Through investigating on the current demand for theme text in various publicity methods,it is easy to formulate the best design plan.And by extracting,simplifying and summarizing the phoenix pattern,the features of its round eyes,pointed head and curly tail can be integrated into the font design.

关 键 词：汉代漆器 凤鸟纹 字体设计 楚地 

分 类 号：J524[艺术—艺术设计]