近现代漆艺名家高秀泉对新中国初期工艺美术的行业思考——以新见高秀泉有关档案材料为中心  

Modern Lacquer Artist Gao Xiuquan’s Opinions on the Arts and Crafts Industry in Early Period of New China—about newly discovered archival materials related to Gao Xiuquan

作　　者：王嘉乐 WANG Jia-le

机构地区：[1]仰恩大学艺术与教育学院,福建泉州362011

出　　处：《中国生漆》2024年第4期58-62,共5页Journal of Chinese Lacquer

基　　金：仰恩大学科研培育计划项目(编号:SK202406)。

摘　　要：高秀泉是近现代福州著名漆艺家。在1957年召开的全国第一届“全国工艺美术艺人代表会议”上,作为福建艺人代表,高秀泉在发言中提出了七条意见,涉及到民间工艺美术品的产品定位、革新与研发、市场竞争力培养、产销平衡、产品宣传与交流、人才培养、技艺传承等方方面面的行业问题,全都自行业实践中观察与思考而来,务实而无空言。它不光是难得一见的高秀泉文字遗存,具有珍贵的文献价值;字里行间更足见高秀泉热切的行业关怀,特别是对新中国初期工艺美术行业现状敏锐的观察与切实的思考,至今仍有借鉴意义。Gao Xiuquan is a famous lacquer artist from Fuzhou in modern times.As the representative of Fujian art and craft artists,Gao Xiuquan put forward seven opinions in his speech at the first National Arts and Crafts Artists Representative Conference held in 1957.In his speech,he shared his observation and ideas from experience involving various industry issues such as product positioning,innovation and research and development,market competitiveness cultivation,production and sales balance,product promotion and exchange,talent cultivation,and skill inheritance of folk arts and crafts.His speech was were observed and pragmatic and without empty words.The speech on that conference was not only a rare relic of the Gaoxiuquan’s script,but also has precious literary value;Between the lines,it is more evident that Gao Xiuquan is deeply concerned about the industry,especially his keen observation and practical thinking on the current situation of the arts and crafts industry in the early period of New China,which still has reference value today.

关 键 词：高秀泉 新中国初期 工艺美术 行业思考 

分 类 号：G275.1[文化科学—档案学] J527[艺术—艺术设计] K27[历史地理—历史学]