向外看:弗吉尼亚·伍尔夫的反彻底主观化叙事  

Looking Outward:Virginia Woolf's Narrative against Thorough Subjectivization

作　　者：隋晓荻[1] Sui Xiaodi

机构地区：[1]大连理工大学外国语学院

出　　处：《英美文学研究论丛》2024年第2期44-56,共13页English and American Literary Studies

摘　　要：在以“我”“思”“在”为要素的西方现代性叙事的场景中,弗吉尼亚·伍尔夫以“向里看”的思路在小说领域展开了探索。然而,“向里看”并非她在西方小说现代化探索中的全部线路。实际上,在她早期和晚期的小说中,可辨析出集体自我叙事、身体见知叙事、现实体验叙事三种叙事范型,均包含了“向外看”的叙事动机。由于这三种范型分别立足于社会性、历史性、实践性,与“我”“思”“在”构成对位关系,因而可被看作伍尔夫对“向里看”可能带来的彻底主观化风险的控制和防范。In the landscape of the western narrative of modernity with“I”,“think”and“being”as the fundamental elements,Virginia Woolf explores the way of“looking within”in the field of fiction.“Looking within”,however,is not her complete exploring route to the modernization of fiction.Actually,in her early and late novels,three narrative norms can be recognized as the narrative of collective self,the narrative of bodily vision,and the narrative of actual experience,in each of which“looking outside”as narrative motivation is implied.Respectively generated on Woolf’s social,historical and practical intentions in counterpoint to those of“I”,“think”and“being”,the three norms can be counted on for her sake of controlling and guarding against the potential risk of thorough subjectivization that“looking within”may bring about.

关 键 词：弗吉尼亚·伍尔夫 现代性叙事 彻底主观化 “向里看” 向外看 

分 类 号：I561.074[文学—其他各国文学]