关于智能设计时代舞台美术创作的探索与实践  

Exploration and Practice of Stage Design Creation in the Era of Intelligent Design

作　　者：吴振 WU Zhen(Faculty of Humanities and Arts,Macao University of Science and Technology,Macao 999078,China)

机构地区：[1]澳门科技大学人文与艺术学院,中国澳门999078

出　　处：《照明工程学报》2024年第6期187-197,共11页China Illuminating Engineering Journal

摘　　要：人工智能的发展使舞台美术创作进入智能设计时代。舞台美术作为一个不断发展的概念在本文中包括舞台布景、灯光、服化、视频等。生成式人工智能(Generative Artificial Intelligence,GAI)为设计师提供灵感,将模糊的设计想法外化,同时对部分舞台美术的工作流程优化和再造,形成新的人机共创关系。本文通过文献、案例对智能时代舞台美术创作进行研究,还通过举办工作坊展开关于人工智能应用于舞台美术创作的实践研讨,对参与者进行访谈,数据搜集和分析,探讨利弊,总结出以下创作方法,包括:掌握“提示词”;掌握训练、微调模型的方法;将AI与传统影像制作流程相结合;在与人工智能的协作中通过控制“脑机比”,发挥人类经验优势,创造出更加具有创新性和前瞻性的艺术作品。The development of artificial intelligence has ushered stage design into the era of intelligent design.In this context,stage design is understood as a constantly evolving concept,encompassing elements such as stage sets,lighting,costumes,makeup,and video.Generative Artificial Intelligence(GAI)offers designers inspiration by externalizing vague design ideas,while also optimizing and reinventing certain workflows in stage design.This leads to the formation of a new human-machine co-creation relationship.This paper conducts a study on stage design creation in the intelligent era through literature review and case studies.It also holds workshops to explore the practical application of artificial intelligence in stage design creation,interviewing participants,collecting data,and analyzing the results to discuss the pros and cons.The following creative methods are summarized:Mastering the use of“prompts”for AI;Understanding methods for training and fine-tuning models;Combining AI with traditional image production processes;In collaboration with artificial intelligence,controlling the“brain-machine ratio”to leverage human experience advantages,thereby creating more innovative and forward-thinking artworks.

关 键 词：人工智能 智能设计 舞台美术 

分 类 号：J81[艺术—戏剧戏曲]