昙石山遗址出土彩陶纹饰及内涵的初步研究  

Preliminary Study of Paterms Painted on Pottery Unearthed from Tanshishan Siteand Their Meanings

作　　者：王银平 WANG Yinping

机构地区：[1]福建省考古研究院,福建福州市350001

出　　处：《华夏考古》2024年第6期93-99,共7页Huaxia Archaeology

基　　金：福建省高校以马克思主义为指导的哲学社会科学学科基础理论研究重大项目“闽江流域的文明化进程研究”(FJ2024MGCZ002)的阶段成果。

摘　　要：彩陶与一般陶器属性上的区别,决定了它在功能上的不同,即它是实用性与艺术性的统一。同时彩陶的纹样以各种不同的形式及其有机组合展示了它们深刻的内涵。昙石山遗址各时期彩陶的变化也基本反映了我国彩陶艺术产生、发展、兴旺到消失的普遍规律。本文重点研究福建昙石山遗址出土彩陶的装饰纹样,进而揭示其艺术特点及彩陶文化的丰富内涵。The differences in attributes between painted pottery and general pottery determine the functional distinctions of these vessels,meaning the painted ones represent the unity of practicality and artistry.Furthermore,the patterns on painted pottery display profound meanings through their various forms and potent combinations.The changes in painted pottery made in different periods unearthed from Tanshishan Site essentially reflect the general law behind the emergence,development,flourishing and eventual disappearance of the art of painted pottery in China.This article focuses on the study of the decorative patterns on painted pottery unearthed from Fujian's Tanshishan Site,and further reveals the artistic characteristics of these patterns and rich meanings of the cultureof painted pottery.

关 键 词：昙石山遗址 彩陶纹饰 内涵 装饰艺术性 

分 类 号：K876.3[历史地理—考古学及博物馆学]