马克思主义与音乐学分析  

Marxism and Musicological Analysis

作　　者：姚亚平 YAO Yaping

机构地区：[1]浙江音乐学院音乐学研究所

出　　处：《中央音乐学院学报》2024年第4期3-16,共14页Journal of The Central Conservatory of Music

摘　　要：马克思主义是于润洋音乐学研究的核心,也是他提出“音乐学分析”极为重要的思想基础。文章将音乐学分析作为马克思主义在音乐研究中的一次实践,分析了音乐学分析与马克思主义的内在逻辑关系,着重讨论了音乐形式问题,把它作为一个马克思主义艺术研究的出发点和必要途径,并将音乐学分析与20世纪下半叶一些新的学术思潮相关联。Marxism is the core of YU Runyang's musicological research and the extremely important ideological foundation for his proposal of“musicological analysis”.The article regards musicological analysis as a practice of Marxism in music research.It analyzes the internal logical relationship between musicological analysis and Marxism,and focuses on discussing the issue of musical form,which is regarded as a starting point and necessary approach for Marxist art research.Additionally,it connects musicological analysis with some new academic trends in the second half of the 20th century.

关 键 词：马克思主义 音乐学分析 于润洋 形式 

分 类 号：J60-052[艺术—音乐]