置于音乐美学学科中的社会学学术向度与话语限度讨论  

Discussion on the Academic Dimension and Discourse Limits of Sociology Placed in the Middle of the Discipline of Music Aesthetics

作　　者：韩锺恩[1] HAN Zhongen

机构地区：[1]上海音乐学院

出　　处：《中央音乐学院学报》2024年第4期30-42,共13页Journal of The Central Conservatory of Music

摘　　要：论文在梳理与辨析当代中国音乐美学学科发展过程中的社会学学术向度与话语限度的前提下,提出相应前瞻;并从社会学原位意义出发,讨论置于自然人生、艺术人生、自我抉择中间的人生姿态,人的原始欲望如何以其既定走向自在出入于自然、社会、人文资源的历史配置中间。On the premise of sorting out and analyzing the academic dimensions and discourse limitations of Sociology during the developmental process of contemporary Chinese music aesthetics,this paper proposes corresponding prospects;and starting from the original meaning of sociology,this paper also discusses the life posture placed in natural life,artistic life,and self-choice,and how human primitive desires freely enter and exit the historical allocation of natural,social,and cultural resources in their predetermined direction.

关 键 词：音乐美学 音乐社会学 丛林法则 政治守则 审美原则 

分 类 号：J60-052[艺术—音乐]