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作 者:褚历[1] CHU Li
机构地区:[1]中央音乐学院音乐学系
出 处:《中央音乐学院学报》2024年第4期129-142,共14页Journal of The Central Conservatory of Music
基 金:2019年度国家社科基金艺术学重大项目《新中国器乐乐种传承发展研究》(项目批准号:19ZD16)子课题《新中国弦索乐、丝竹乐乐种传承发展研究》成果。
摘 要:弦索乐、丝竹乐是中国传统器乐合奏中关系相近的两个基本类别,新中国成立以来,在经济发展和政府主导的背景下,弦索乐、丝竹乐等传统音乐在创作演出、人才教育、理论研究、传承保护等各方面得到了极大的发展,也存在一定的问题。弦索乐、丝竹乐乐种要达到良好的传承与发展,应建立以民间自主性为基础的多元化传承发展机制。政府对民间音乐及乐社应致力于恢复民间传承机制,促进民间音乐的自然、自主发展。传统乐社需发扬雅集型乐社的传统,构建以审美为基础,兼含民俗信仰、营利及认知等多元化的功能结构,并认清传承与创新的性质和作用,做到传承为本、适当创新。The string music,string and bamboo music are two basic categories with similar relations in traditional Chinese instrumental ensembles.Since the founding of New China and in the context of economic development and government leadership,traditional music such as the string music,string and bamboo music has been greatly developed in various aspects of creation and performance,professional education,theoretical research,inheritance and protection,etc.,but there are also certain problems.For achieving good inheritance and development of traditonal string and bamboo music,a diversified inheritance and development mechanism based on folk autonomy should be established.As for folk music and its clubs,this paper suggests that the government should strive to restore the folk inheritance mechanism,and promote the natural and independent development of folk music.And then,traditional music clubs need to carry forward the tradition of elegant assembly of music clubs,build a diversified functional structure based on aesthetics including folk beliefs,profit-making and cognitive,etc.,and recognize the nature and function of inheritance and innovation,achieving fundamental inheritance and appropriate innovation.
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