挑花文化基因建构身份认同路径探讨——以芭蕉坪寨挑花实践共同体为例  

On the Path of Identity Construction through Skill Practice from the Perspective of Cultural Genes——A Case Study of the Flower Picking Practice Community in Bajiaoping Village

作　　者：王子云 WANG Zi-yun

机构地区：[1]中南民族大学民族学与社会学学院,湖北武汉430000

出　　处：《民族艺林》2024年第4期144-157,共14页Journal of Ethnic Art

基　　金：湖北民族大学南方少数民族研究中心“武陵山少数民族文化创意产业化发展研究”(项目编号:PT062002)阶段性成果。

摘　　要：挑花技艺是芭蕉坪寨通婚圈内传统苗族女性必学的一项女红,挑花文化基因可视为她们进行挑花实践的具体内容,以挑花为媒介形成挑花实践共同体,并在其中建构自身社会性别身份认同。借用民族工艺文化基因解码方法,对挑花文本进行基因萃取、基因关系结构模型建立、团花型挑花纹样基因组图谱编制。明确挑花文化基因和挑花实践的具体作业内容属同源关系。芭蕉坪寨通婚圈内的苗族女性在传统苗族社会文化的影响下实践挑花,并通过女性的社会工作内容、族群女红文化延续需要、共同体成员认可依据三种路径,来建构对女性自身、挑花传承者多元社会性别身份的认同。The art of picking flowers is a necessary skill for traditional Miao women in the intermarriage circle of Bajiaoping Village.The cultural genes of picking flowers can be seen as the specific content of their picking flower practice.By using picking flowers as a medium,they form a community of picking flower practice and construct their own social gender identity in it.Using the decoding method of ethnic craft and cultural genes,gene extraction,establishment of gene relationship structure model,and compilation of genome map of clustered embroidery patterns were carried out on the text of the embroidery flower.There is a homologous relationship between the cultural genes of picking flowers and the specific homework content of picking flower practice.Miao women within the intermarriage circle of Bajiaoping Village practice the genes of embroidery culture under the influence of traditional Miao social culture,and construct a diverse social gender identity for themselves and embroidery inheritors through three paths:women’s social work content,the need for the continuation of ethnic women’sred culture,and the recognition of community members.

关 键 词：苗族 挑花基因实践 女性 挑花传承者 身份认同路径 

分 类 号：G127[文化科学]