心魔遁形与妖魅再现——论聊斋小说《瞳人语》的网络电影改编  

The Demon in the Heart and the Demonic Reappearance-On the network Film Adaptation of the Liaozhai Novel“Tong Ren Yu”

作　　者：赵庆超[1] Zhao Qingchao(School of Humanism,Jinggangshan University,Ji,an,Jiangxi 343009,China)

机构地区：[1]井冈山大学人文学院,江西吉安343009

出　　处：《蒲松龄研究》2024年第4期82-95,共14页Study on Pu Songling

基　　金：江西省文化艺术基金项目“新世纪中国电影改编研究”(编号:2019049WX02C)。

摘　　要：网络电影《聊斋志异之瞳人语》以聊斋小说《瞳人语》为取材缘由,又吸收了《画皮》《聂小倩》等其他聊斋小说的叙事元素,把原著小说中缘起缘灭的个人心魔加以遁形化处理,改编成一个融浪漫与魔幻于一体、寻找男女真爱和人间正义的主题故事,叙事格局的扩张和异类形象的赋魅增加了它影像传播的神秘感和陌生化,从而在游戏性、趣味性、奇观性等美学特征上呼应了网络青年们的审美接受趣味。因此,既置身于大众传媒和网络传播不断兴起的时代语境,又与传统文化记忆存在着千丝万缕的联系,该影片需要进一步加强二者之间的深度融合,在传统文化借鉴与故事情节模仿、类型话语整合与审美元素凸显、古装场景仿真与现实世界隐喻等方面均留下了可供深入探讨的空间。The network film"Liaozhai Zhiyi's Tong Ren Yu"is based on the Liaozhai novel"Tong Ren Yu",and absorbed the narrative elements of other Liaozhai novels such as"Painted Skin"'and"Nie Xiaoqian".The original nov-el's origin and destiny of the individual's heart demon to be recluse treatment,and adapted into a melting of romance and magic to seeking true love of man and woman and justice on earth theme of the story.The expansion of the nar-rative pattern and the enchantment of otherworldly images have increased the sense of mystery and strangeness of its communication.Thus echoing the aes-thetic acceptance of the young generation of the Internet in terms of aesthetic characteristics such as playfulness,fun and spectacle.Therefore,being in the context of the rising mass media and network communication,as well as inex-tricably linked with traditional cultural memory,the film needs to further stren-gthen the in-depth integration between the two,leaving room for in-depth ex-ploration in terms of traditional cultural borrowing and storyline imitation,genre discourse integration and aesthetic element highlighting,ancient costume scene simulation and real world metaphor,and so on.

关 键 词：聊斋小说 《瞳人语》:电影改编 心魔 妖魅 

分 类 号：I207.419[文学—中国文学]