发展主义话语与欧阳予倩交叉式职业路径  

A Study of Developmental Discourse and the Bifurcated Career Path of Ouyang Yuqian

作　　者：刘梦露 LIU Menglu

机构地区：[1]青岛科技大学传媒学院

出　　处：《戏剧艺术》2024年第6期80-92,共13页Theatre Arts

摘　　要：目染新剧又浸淫梨园的欧阳予倩一直以来都被认为是中国近现代戏剧史上独特的存在。然而这一历史上高大的形象却有着许多耐人寻味的孔隙。作为新剧界和戏曲界的“双栖明星”,欧阳予倩在当时常被争议。这主要源于他深受晚清以降在中国社会广泛传播的进化论话语——“发展主义”的影响。作为一种舶来的知识话语体系,“发展主义”刺激了本土的改革精英,并促使他们开始建构一种社会个体和民族发展之间的能动性关系,也激发了一种以“发展”为情节的文学语言和商业文化。而欧阳予倩交叉式的职业路径则是一种对殖民现代性话语牢笼的突破,他通过对那些被视为“待发展”的艺术形式进行“启蒙”式的意识形态重塑,展现了20世纪初期中国知识分子对“发展主义”这一普遍信仰的质疑与反思。Ouyang Yuqian,immersed in both new drama and traditional Xiqu,is regarded as a unique figure in modern Chinese drama.However,his historical significance is marked by intriguing nuances.As a key figure in both new drama and traditional Xiqu,Ouyang Yuqian often found himself at the center of controversies during his time.This was largely due to his deep influence from the discourse of“developmentalism,”a form of social Darwinism that spread widely in Chinese society from the late Qing Dynasty onwards.As an imported intellectual concept,“developmentalism”inspired domestic reformist elites,prompting them to construct a dynamic relationship between individual and national development while also giving rise to a literary language and commercial culture centered around the theme of“development”.Ouyang Yuqian's bifurcated career path represents an attempt to escape the discursive constraints of colonial modernity.Through the ideological framing of“enlightenment”regarding texts deemed“undeveloped”,he embodied the early 20th century Chinese intellectuals'critique and reflection on the universal belief in“developmentalism”.

关 键 词：发展主义 进化论话语 欧阳予倩 交叉式 职业路径 

分 类 号：J80[艺术—戏剧戏曲]