剧场重塑与视觉革新——后戏剧与视觉艺术在总体视觉戏剧中的创新交汇  

Theatre Reshaping and Visual Innovation:The Innovative Intersection of Post-Drama and Visual Arts in Total Visual Theatre

作　　者：胡佐 HU Zuo

机构地区：[1]上海戏剧学院舞台美术系

出　　处：《戏剧艺术》2024年第6期107-122,共16页Theatre Arts

基　　金：2020年度国家社科基金艺术学重大项目“新中国舞台美术发展研究”(20ZD22)的阶段性成果。

摘　　要：总体视觉戏剧是一种颠覆了传统戏剧范式的新戏剧,它打破了原本以文学文本和讲故事为中心的传统舞台线性叙事,是可以在剧场舞台上自由展开视觉逻辑的新型演出。总体视觉戏剧是后戏剧与当代视觉艺术融合实践的产物,其创造者是来自视觉艺术领域的跨界导演。他们借用视觉艺术的观念和技巧,突破了传统戏剧的规范,采取视觉拼贴、空间构建等剧场舞台的构作方式,使演出中演员和观众的身体,以及整个剧场空间中所有物质的、非物质的因素有了独立的视觉价值,从而创造出一种以“舞台的画面化”为总体演出文本的新型视觉性剧场艺术。Total Visual Theatre is a new form of drama that disrupts traditional theatrical paradigms.It breaks away from the conventional focus on literary texts and linear storytelling,allowing for a free exploration of visual logic on stage.Total Visual Theatre is the product of the fusion between post-drama and contemporary visual arts,created by interdisciplinary directors from the visual arts field.By borrowing concepts and techniques from visual arts,they challenge traditional theatrical norms,employing methods such as visual collage and spatial construction.This approach grants independent visual value to the bodies of actors and audiences,as well as to all material and immaterial elements within the theatre space,thereby creating a new type of visual theatrical art centered on“the imagery of the stage”as the overall performance text.

关 键 词：总体视觉戏剧 后戏剧 当代视觉艺术 跨界导演 演出文本 

分 类 号：J80[艺术—戏剧戏曲]