论周剑云早期的戏剧理论批评  

On Zhou Jianyun's Early Drama Theory Criticism

作　　者：周斌[1] ZHOU Bin

机构地区：[1]复旦大学中文系

出　　处：《戏剧艺术》2024年第6期147-157,共11页Theatre Arts

摘　　要：周剑云在中国电影史上的地位早就有了定论,已无须多言。但对于他在20世纪初中国戏剧理论批评方面的成绩和贡献,却往往被忽略,迄今很少被提及。在20世纪初他曾为中国早期戏剧理论批评的建设作出了一定的贡献:他积极倡导改良戏曲,客观评价旧剧和新剧,强调戏剧的通俗教育作用和社会教育功能,重视新剧脚本的基础作用,强调伶人和新剧家的品德与人格修养,注重新剧的理论建构等。因此,探讨和论析周剑云早期的戏剧理论批评,无论是对于中国戏剧理论批评体系的建构,还是对于进一步深化周剑云的学术研究来说,都是颇有意义和价值的。Zhou Jianyun's position in the history of Chinese film is well established and does not require further discussion.However,his achievements and contributions to drama theory criticism in early 20th-century China are often overlooked and rarely mentioned.In the early 20th century,he made significant contributions to the construction of early Chinese drama theory criticism.He actively advocated for the improvement of Xiqu,provided objective evaluations of both Jiuju and Xinju,emphasized the popular and social educational functions of drama,recognized the fundamental role of Xinju scripts,stressed the moral character and personal development of performers and Xinju writers,and focused on the theoretical construction of Xinju.Therefore,discussing and analyzing Zhou Jianyun's early drama theory criticism is significant and valuable for both the construction of Chinese drama theory criticism system and the further advancement of Zhou Jianyun's academic research.

关 键 词：周剑云 戏剧理论批评 改良戏曲 新剧脚本 理论建构 

分 类 号：J80[艺术—戏剧戏曲]