回归诗意,重拾优雅——浅谈朱乐耕环境陶艺空间装置艺术观  

Returning to Poetic Charm,Rediscovering Elegance:A Brief Discussion on Zhu Legeng's Environment Ceramic Art Concept

作　　者：余曜翀 

机构地区：[1]景德镇陶瓷大学

出　　处：《中国陶瓷工业》2024年第6期11-13,共3页China Ceramic Industry

摘　　要：朱乐耕先生的环境陶艺实践,将环境陶艺从特定环境中剥离开,使其具有一定的独立价值,又因其与生活空间的密切联系,由此提出了对生活美学的艺术思考。艺术源自生活,同时也需要回归生活。朱乐耕先生的环境陶艺实践就是以陶艺的形式,让艺术回归到最本质、最广泛的人民与生活中,也通过对生活空间的深度融合使其成为建构生活美学的重要元素。朱乐耕先生作品所营造出来的沉浸式生活美学空间,触及了中国传统社会的生活本质,从这个意义上看,其提出的思考和实践,已经跳出了艺术领域,而从文化的层面去思考艺术的发展。Mr.Zhu Legeng's environmental ceramics practice involves detaching environmental ceramics from specific settings,endowing them with a certain degree of independent value.Due to their close connection with living spaces,this approach prompts artistic contemplation on the aesthetics of life.Art originates from life and needs to return to it;Mr.Zhu Legeng's environmental ceramics practice aims to bring art back to its most essential and broad-reaching roots among the people and in everyday life through the form of ceramics.By deeply integrating with living spaces,his work becomes an important element in constructing the aesthetics of life.The immersive aesthetic spaces created by Mr.Zhu Legeng's works touch upon the essence of traditional Chinese social life.In this sense,the thoughts and practices he proposes have transcended the boundaries of the art world and consider the development of art from a cultural perspective.

关 键 词：朱乐耕 环境陶艺 生活美学 

分 类 号：J527[艺术—艺术设计]