从笔墨到泥土:山水题材在陶瓷艺术创作中的应用与转化  

From Ink to Clay:The Application and Transformation of Landscape Themes in Modern Ceramic Art

作　　者：许鹏飞 

机构地区：[1]中国艺术研究院

出　　处：《中国陶瓷工业》2024年第6期44-47,共4页China Ceramic Industry

摘　　要：山水题材自古以来便是中国艺术创作中最具哲学意味的表现对象之一,其不仅是传统文化的视觉再现,也在与陶瓷艺术的融合过程中,形成了新的形式语言与文化内涵。本文主要探讨了山水题材在陶瓷艺术创作中的应用与转化,以及未来山水题材在陶瓷艺术创作中所面临的在技术与材料、传统与现代、文化传承与创新,以及审美多样性等方面的挑战。Landscape themes have long been one of the most philosoplhically significant subjects in Chinese artistic creation.They are not only visual representations of traditional culture but have also formed new formal languages and cultural comnotations in the process of fusion with ceramic art.This article explores the development and evolution of landscape themes in modern ceramics,and discusses the challenges faced by the 1landscape theme in modern ceramics,including technical and material limitations,the fusion of tradition and modernity,cultural heritage and innovation,and aesthetic diversity,highlighting the need for artists to balance heritage and innovation in contemporary society and provide new perspectives on the relationship between humans and nature.

关 键 词：山水题材 陶瓷艺术 创作 应用 转化 

分 类 号：J527[艺术—艺术设计]