岭南盆景美学之石湾花盆  

Shiwan Flower Pot:Aesthetics of Chinese Lingnan Potted Landscape

作　　者：庞荣 

机构地区：[1]广东石湾陶瓷博物馆

出　　处：《中国陶瓷工业》2024年第6期88-91,共4页China Ceramic Industry

摘　　要：岭南盆景历史悠久,是岭南文化的一张亮丽名片。岭南盆景素来就有“一树、二盆、三几架”之说,也就是说岭南盆景艺术是由景树、景盆、几架组成的,三位一体构成一个完整的艺术整体。“无盆不成景”“好树配好盆”,岭南盆景艺术特别钟情于石湾花盆的配用,可以说,石湾花盆是岭南盆景最理想的载体。究其原因,是气候、审美习惯、地理等诸多因素使然。本文从石湾花盆行的历史脉络、生产智慧、海外影响力等方面,寻找隐藏在石湾花盆行中的智慧。Profound in its history,Chinese Lingnan Potted L andscape is a magnificent representation of I ingnan Culture.Chinese Lingnan Potted I andscape has always been known as"Firstly,one tree;Secondly,flower pots;Thirdly,a few frames",which means that Chinese I ingnan Potted Landscape art is composed of landscape trees,landscape pots and several frames,forming a complete artistic as a whole."No flower pot,No landscape."or"Good trees with great flower pots".Chinese Lingnan Potted Landscape art is particularly fond of the use of Shiwan flower pots.It can be said that Shiwan flower pots are the most ideal carrier of Chinese I ingnan Potted I andscape.The reason for this is due to various factors such as climate,aesthetic habits as well as geography.This article explores the wisdom hidden in the Shiwan flower pot industry from the historical contexst,mud shaped decorative glaze fire and overseas influence.

关 键 词：盆景 石湾 花盆 智慧 

分 类 号：S688.1[农业科学—观赏园艺]