明中后期广府画坛的吴派“文沈”风  

Research on the Style of the Wupai"Wensheng"of School of"Guanfu"in the Middle and Late Ming Dynasty

作　　者：张白露[1] ZHANG Bailu(College of Mechanical Engineering,Dongguan University of Technology,Dongguan,Guangdong 523808,China)

机构地区：[1]东莞理工学院机械工程学院,广东东莞523808

出　　处：《肇庆学院学报》2025年第1期27-32,共6页Journal of Zhaoqing University

基　　金：广东省哲学社会科学规划2023年度学科共建项目(GD23XYS002)。

摘　　要：广府是明清时期广州府的简称,作为岭南首邑的广州府辖顺德、南海、番禺、东莞、从化等15县,范围包括今珠三角大部分地区。明中后期,广府文人和画家频繁游学于吴门地区,带来了吴派“文沈”画风在广府画坛的影响和传播,随着广府文人和画家广泛的结社、聚会活动,广府画坛出现了文人画家集群,相互濡染间产生了具有共同诗文气息的艺术倾向。黎民表、梁孜、黎民怀、朱完、陈谟等文人志士,他们不仅善诗文,也长于书画,画出董源、米芾、高克恭、元四家,着力师法文徵明、沈周,因之吴派“文沈”画风日渐在广府画坛兴起,并成为明清之际广府画坛流行的主要绘画风格。"Guanfu"was brief name of Guangzhou in Ming dynasty and Qing dynasty,which governed the many parts of Pear!River Delta,such as Sunde county,Panyu county,Conghua county,etc.and all most 15 coun-ties.In the middle and late Ming Dynasty,the literati and painters of Guangfu frequently visited the Wumen area,which brought the influence and spread of the Wu school"Wenshen"painting style in the painting circle of Guang-fu.With the extensive association and gathering activities of the literati and painters of Guangfu,a cluster of litera-ti and painters appeared in the painting circle of Guangfu,and an artistic tendency of common poetic atmosphere emerged between each other.Scholars such as Li Minbiao,Liangzi,Li Minghuai,Zhuwan,Chengmo,were not on-ly good at writing poems,bust also good at painting.Their painting styles followed the painting styles of Dongyu-an,Mifu,Gao Kegong and the Four famous painters in Yuan Dynasty.And their teachers were Wen Zhengming and Shenzhou.The Wu school"Wen Shen"painting style gradually rose in the painting circle of Guangfu,and be-came the main popular painting style in the painting circle of Guangfu in the Ming and Qing dynasties.

关 键 词：明中后期 广府画坛 吴派“文沈” 山水画 黎民表 梁孜 文徵明 

分 类 号：J212[艺术—美术]