蓝染技艺与常家庄园三雕纹样在文创设计中的应用  

Application of Indigo Dyeing Techniques and Three Carving Patterns of Changjia Manor in Cultural and Creative Design

作　　者：张燕云 任文东[1] ZHANG Yanyun;REN Wendong(Dalian Polytechnic University,Dalian 116000,China)

机构地区：[1]大连工业大学,辽宁大连116000

出　　处：《西部皮革》2024年第23期115-118,共4页West Leather

摘　　要：常家庄园是山西晋商民居建筑,文章旨在探讨如何将蓝印花染这一传统技艺与常家庄园的三雕纹样相结合,以创新常家庄园文化创意产品的表现形式,进而提升公众对常家庄园文化内涵的兴趣。通过实地调研与写生提取纹样,结合蓝印花染技术,将常家庄园的砖雕、木雕、石雕纹样应用于桌旗、茶席、杯垫、帆布包等产品上,从而探索传统技艺与现代文化创意设计相结合的可行性。此种结合不仅能够创新性地展现常家庄园的文化底蕴,而且有助于传承和弘扬国家非物质文化遗产,同时为常家庄园的历史文化注入新的活力。This study aims to explore how to combine the traditional indigo dyeing technique with the brick carvings,wood carvings,and stone sculptures patterns of Changjia Manor to innovate the forms of cultural and creative products based on Changjia Manor's culture,thereby enhancing public interest in its cultural connotations.Through field research and sketching to extract motifs,and integrating indigo dyeing techniques,the study applies the patterns of brick carvings,wood carvings,and stone carvings of Changjia Manor to products such as table runners,tea sets,coasters,and canvas bags.This research seeks to explore the feasibility of combining traditional craftsmanship with modern cultural and creative design.Such a combination not only innovatively showcases the cultural heritage of Changjia Manor but also helps in the preservation and promotion of intangible cultural heritage,injecting new vitality into the historical and cultural significance of Changjia Manor.

关 键 词：常家庄园 雕刻纹样 蓝染 文化内涵 文创设计 

分 类 号：J523[艺术—艺术设计]