清商《白纻舞》的审美流变探究  

Investigation on the Aesthetic Evolution of the White Ramie Dance in Qing Shang Music

作　　者：姚梓靖 YAO Zijing

机构地区：[1]安徽艺术学院舞蹈学院,安徽合肥230011

出　　处：《淮南师范学院学报》2024年第6期74-80,共7页Journal of Huainan Normal University

基　　金：安徽省教育厅人文社会科学研究重点项目”文化强省战略下皖北地区道家文化与舞蹈艺术融合性创新发展研究“(2024AH052639);安徽省教育厅哲学社会科学研究重点项目“皖北地区汉画像石(砖)舞蹈形态的当代重建研究”(2023AH052138);安徽省教育厅科学研究重点项目“红色经典艺术融入新时代安徽省高校美育的路径与机制研究”(2023AH052144)。

摘　　要：《白纻舞》作为“清商乐舞”中最具有地方特色的民间歌舞形式,其审美历程深刻反映了时代的变迁。文章通过对《白纻舞》在魏晋时期的兴起、南北朝时期的鼎盛、隋唐时期的衰落这三个关键发展阶段的观察与探索,发现《白纻舞》的风格从最初淳朴雅致逐渐演变为轻艳浮华,最终趋于奢华,这一转变过程与当时门阀士族的心态变化及审美取向紧密相连。当代两部《白纻舞》作品在艺术重构上充分运用了“蒙太奇”的编创手法及多重空间的叙事结构,更精准地传递了人物及剧情的深层信息,也侧面展示了其审美的流变,及时代的审美追求与精神风貌。As one of the most regionally distinctive forms of folk dance and music in the Qing Shang tradition,the aesthetic evolution of the White Ramie Dance profoundly reflects the changes of the times.Through a detailed study and exploration of the three key developmental stages of the dance’s rise during the Wei and Jin dynasties,its peak during the Southern and Northern Dynasties,and its decline during the Sui and Tang dynasties,the article discovers that the style of the White Ramie Dance gradually evolved from initially simple and elegant to frivolously ornate,and ultimately towards extreme extravagance.This transformation process is closely linked with the mentality changes and aesthetic orientations of the powerful families and scholar-officials of the time.Additionally,by analyzing the artistic reconstruction of two contemporary works of the White Ramie Dance,the use of Montage creative techniques and narrative structures across multiple spaces more accurately convey the deeper information of the characters and plot indirectly demonstrates the transformation of its aesthetic tastes,and concretely exhibit the aesthetic pursuits and spiritual demeanor of that era.

关 键 词：《白纻舞》 清商乐舞 门阀士族:审美流变 

分 类 号：J720.9[艺术—舞蹈]