李德裕平泉书写与宋代平泉文学景观的持续建构  

Li Deyu's Pingquan Writing and the Continuous Construction of the Pingquan Literary Landscape in the Song Dynasty

作　　者：刘沛其 LIU Peiqi(College of Literature and Journalism,Sichuan University,Chengdu Sichuan 610207,China)

机构地区：[1]四川大学文学与新闻学院,四川成都610207

出　　处：《重庆文理学院学报（社会科学版）》2025年第1期105-116,共12页Journal of Chongqing University of Arts and Sciences（Social Sciences Edition)

摘　　要：晚唐名相李德裕创作了大量书写私家园林平泉庄园的“平泉诗”,以花木、动物、奇石等景观为中心,营造出一个五光十色、精彩纷呈的“物质世界”,体现出对物的迷恋和仕隐的苦恼,即李德裕不仅建造了现实的园林,还通过缺席的书写构建了自己的精神空间。在宋代,平泉故事成为文学典故,宋人在看待平泉故事、书写平泉故事时表现出多重面向,折射出北宋文化精神及士大夫审美观念,从而使平泉文学景观被持续建构为不朽的精神家园。Li Deyu,a famous minister of the late Tang Dynasty,created a large number of“Pingquan Poems”depicting the private garden Pingquan Manor,focusing on the landscapes of flowers,trees,animals,and strange stones,creating a colorful and wonderful“material world”,reflecting his obsession with objects and the distress of being a civil servant and a recluse.In conclusion,Li Deyu not only built a realistic garden,but also constructed his own spiritual space through absent writing.In Song Dynasty,the story of Pingquan was condensed as a literary allusion,and the people of Song Dynasty showed multiple aspects when looking at and writing the story of Pingquan,reflecting the cultural spirit of the Northern Song Dynasty and the aesthetic concept of scholars,so that the literary landscape of Pingquan was contin-uously constructed as an immortal spiritual homeland.

关 键 词：李德裕 平泉庄园 平泉书写 文学景观 

分 类 号：I206[文学—中国文学]