五代山水画的艺术美学  

The Artistic Aesthetics of Landscape Painting in the Five Dynasties

作　　者：张枥元 刘秀伟[1] ZHANG Liyuan;LIU Xiuwei(Beijing Institute of Graphic Communication,Beijing 102627,China)

机构地区：[1]北京印刷学院,北京102627

出　　处：《鞋类工艺与设计》2024年第24期93-95,共3页SHOES TECHNOLOGY AND DESIGN

摘　　要：中国山水画历史悠久,主要以自然界山川景观为描绘对象。最初雏形可以追溯至魏晋南北朝时期,然而当时尚未完全从人物画中独立出来,经过历朝历代的不断发展才逐渐以风景为主要题材。山水画在内容上虽有相似之处,但五代时期的山水画以描绘山川自然景色为主,继承了唐代的传统,并在战乱频仍的社会环境中蓬勃发展,形成了富有时代特色的绘画风格。至今,五代时期的智慧仍在山水画中有所传承。Chinese landscape painting has a long history,mainly depicting the natural landscape as the object.The initial prototype can be traced back to the period of Wei,Jin,and North and South Dynasties,however,at that time,it was not yet completely independent from the figure painting,and it was only through the continuous development of successive dynasties that it gradually took the landscape as the main subject matter.Although there are similarities in the content of landscape paintings,the landscape paintings of the Five Dynasties period mainly depicted natural scenery of mountains and rivers,inherited the tradition of the Tang Dynasty,and flourished in the social environment of frequent wars and turmoil,forming a painting style rich in the characteristics of the times.So far,the wisdom of the Five Dynasties period is still inherited in landscape painting.

关 键 词：五代山水画 艺术美学 形神兼备 审美取向 

分 类 号：J212[艺术—美术]