礼失而求诸野:从《九月寓言》看张炜创作的“民间”转向  

Seeking the Wild: The “Folk” Turn of Zhang Wei’sCreation from The Fable of September

作　　者：惠雁冰[1] 黄圆圆 HUI Yan-bing;HUANG Yuan-yuan(School of Literature and Journalism,Yan’an University,Yan’an 716000,Shaanxi)

机构地区：[1]延安大学文学与新闻传播学院,陕西延安716000

出　　处：《延安大学学报（社会科学版）》2024年第6期99-105,共7页Journal of Yan'an University (Social Sciences Edition)

摘　　要：《九月寓言》是张炜文学创作历程中的一次重要转折,这次转折不仅是他走向“民间”的成功实践,而且也由此打开了通往精神高原的大门。张炜在《九月寓言》中的“民间”转向主要体现在叙事风格、叙事立场以及叙事语言三个方面。究其转向的原因,可归结为作家童年生活的滋养、对于诗性品格的坚守,以及20世纪90年代市场经济对知识分子中心地位的影响。张炜创作的“民间”转向不仅为中国当代文学的同类书写提供了一定的借鉴意义,其对现代化的态度和立场也给我们留下了更多省思的空间。The Fable of September is a turning point in Zhang Wei’s literary creation process.This turning point is not only his successful practice towards the“people”,but also opens the door to the spiritual plateau.Zhang Wei’s“folk”turn in The Fable of September is mainly manifested in three aspects:narrative style,narrative standpoint and narrative language.The reasons for the turn can be summarized as the nourishment of the writer’s childhood life,the adherence to the poetic character and the influence of the market economic system reform on the central position of intellectuals in the 1990s.On the one hand,the“folk”turn of Zhang Wei’s creation provides a certain reference significance for the development of the contemporary Chinese literature,and on the other hand,his attitude towards modernity also leaves us more space to think about.

关 键 词：张炜 《九月寓言》 “民间”转向 

分 类 号：I206[文学—中国文学]