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作 者:任俊桦 REN Jun-hua(School of Architecture and Arts,Central South University,Changsha 410000,China)
机构地区:[1]中南大学建筑与艺术学院,湖南长沙410000
出 处:《乌鲁木齐职业大学学报》2024年第4期42-46,共5页Journal of Urumqi Vocational University
基 金:2022年度湖南省教育厅科学研究项目“艺术社会学视域下湘南红色故事的视觉情报策略研究”项目编号:22A0584;2023年度湖南省社会科学成果评审委员会课题“数字图像技术在重大历史题材美术创作中的应用研究”,编号:XSP2023YSC12。
摘 要:20世纪的中国革命题材绘画是近现代中国革命波澜壮阔历程的直观展现,它的发展与20世纪初的绘画革命及五四运动新文化运动密不可分。20世纪中国革命题材绘画的图像叙事发生了三次转变,分别为1919-1949抗战时期、1949-1966社会主义现实主义时期、1978-20世纪90年代新时期,每个时期的图像演变都与当时的政治、文化、社会背景息息相关。在抗战时期图像叙事主要以救亡为主线展开,呼吁民众的爱国热情,激励抗战。在社会主义现实主义时期主要内容为纪念抗战中所经历的重大历史事件,歌颂为新中国的成立而浴血奋战牺牲的英雄事迹歌颂及中国共产党在革命中所做出的贡献为主题。在改革开放后的新时期转向具体、多元视角下的朴实叙事。本文尝试就20世纪中国革命题材绘画在不同时期的图像转变展开简要分析,此举有助于探寻艺术文化与社会发展的内在关系,通过革命题材绘画的图像演变来深化历史认知,促进红色文化的传承与发展。The painting of Chinese revolutionary themes in the 20th century is a visual representation of the magnificent process of modern Chinese revolution.Its development is closely related to the painting revolution,the May Fourth Move-ment,and the New Culture Movement at the beginning of the 20th century.There had been three changes in the narrative of Chinese revolutionary paintings in the 20th century,namely,the change in the War of Resistance against Japan period(1919-1949),the change in the early stage of socialist construction period(1949-1966),and the new era(1978 to the 1990s).The evolution of images in each period was closely related to the political,cultural,and social background of that time.During the period of the War of Resistance against Japan,visual storytelling mainly focused on saving the nation,calling on the patriotic enthusiasm of the people and inspiring the resistance.During the period of early stage of socialist construction,the main content is to commemorate the major historical events experienced in the War of Resistance against Japan,and to eulogize the heroic deeds of sacrifice for the founding of New China and the contribution of the CPC in the revolution.In the period of the new era after the Reform and Opening up,there was a shift towards simple narratives in spe-cific and diverse perspectives.This paper provides a brief analysis of the image transformation of Chinese revolutionary paintings in different periods to help explore the inherent relationships between art-culture and social development,deep-ening historical understanding through the evolution of revolutionary paintings,promoting the inheritance and develop-ment of the red culture.
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