文本创作与现实需要:陈云对评弹现代书目《真情假意》的关注与支持  

Textual Creation and Realistic Needs: Chen Yun's Concern and Support for Pintan's Modern Bibliography True Love and False Feelings

作　　者：侯龙桢 金坡 HOU Long-zhen;JIN Po(School of Public Administration,Shandong Agricultural University,Taian,Shandong 271018;Taishan Research Institute,Taishan University,Taian,Shandong 271021)

机构地区：[1]山东农业大学公共管理学院,山东泰安271018 [2]泰山学院泰山研究院,山东泰安271021

出　　处：《泰山学院学报》2024年第5期51-58,共8页Journal of Taishan University

基　　金：国家社科基金重大项目“评弹历史文献整理与研究”(14ZDB041);国家社科基金艺术学项目“新中国70年评弹书目传承研究”(20BB030)。

摘　　要：20世纪70年代末以后,陈云通过调研座谈、书信、谈话等方式指导评弹现代书目的文本创作与舞台展示。中篇评弹《真情假意》批判了社会上的错误思想,也体现了“就青年”等特点,对该书的指导和推介反映了陈云对待评弹现代书目的基本立场和态度,以及对党的文艺政策、社会主义文化建设的现实思考。陈云要求书目创作反映社会现实、发挥教育引导作用,这对于保存和发展评弹艺术、传承优秀传统文化、建设社会主义精神文明等大有裨益。After the end of the 1970s, Chen Yun guided the creation of texts and stage presentations of Pingtan's modern books by means of research seminars, letters and conversations. The Chinese opera True Love and False Feelings criticized the wrong ideas in the society, and also embodied the characteristics of "on the youth", etc. The guidance and promotion of this book reflected Chen Yun's basic stance and attitude towards the modern repertoire of the opera, and his realistic thinking about the Part's literature and art policy and the construction of the socialist culture. Chen Yun's request that the creation of bibliographies reflect social reality and play an educational and guiding role is of great benefit to the preservation and development of the art of Pingtan, the inheritance of excellent traditional culture, and the construction of socialist spiritual civilization.

关 键 词：陈云 评弹现代书目 《真情假意》 社会主义精神文明建设 

分 类 号：I253.5[文学—中国文学]