清代王士祯“神韵说”在韩国诗话的传播及影响  

The Dissemination and Influence of Wang Shizhen’s“Theory of Verve”in Korean Poetry

作　　者：金华 许儒耘 JIN Hua;XU Ru-yun(School of Literature and Media,Chongqing University of Education,Nan’an400067,Chongqing,China)

机构地区：[1]重庆第二师范学院文学与传媒学院,重庆南岸400067

出　　处：《贵阳学院学报（社会科学版）》2024年第6期49-54,共6页Journal of Guiyang University:Social Sciences

基　　金：国家社科基金一般项目“宋代诗话在韩国的传播及影响研究”(项目编号:20BWW024);重庆第二师范学院大学生科研项目“新文科背景下基于大数据的文学研究一一明清王士祯'神韵说,在韩国诗话的传播及影响”(项目编号:KY20230017)。

摘　　要：王士祯作为明末清初的著名诗人,他的“神韵”诗学在18世纪下半叶流入韩国文坛,受到以李德懋为首的北学派诗人的高度重视。通过对比分析,发现韩国诗话中的“神韵说”与王士祯的“神韵说”有所不同,体现其对待中国文化并非一味吸收,而是对其进行符合自身文化背景的转化,并且给予客观的评价。“神韵说”还影响部分韩国文人的诗歌风格,成为一种新型的诗歌评判标准,在纠正“尊唐反宋”文坛倾向的同时,也形成韩国汉诗文坛上的新型诗歌创作风格。Wang Shizhen was a famous poet in the late Ming and early Qing Dynasties.His“theory of verve”in poetics found its way into the Korean literary world in the second half of the 18th century and was highly valued by poets of the Northern School led by Li Demao.Through comparative analysis,this study finds that the“theory of verve”in Korean poetry is different from Wang's original one,reflecting that the Korean poets did not passively accept Chinese culture but transformed it in line with their own cultural background,and offered objective evaluations.However,the“theory of verve”also influenced the poetic styles of some Korean literati and became a new criterion for poetry evaluation.It became a new poetic creation style in the Chinese-language poetry world in Korea while it was used to rectify the literary tendency of“prioritizing Tang style over Song”.

关 键 词：韩国诗话 王士祯 神韵说 北学派 

分 类 号：I207.22[文学—中国文学]