陀思妥耶夫斯基女性叙事中的福柯权力机制  

An Interpretation of Dostoevsky’s Female Image from Foucault’s Perspective

作　　者：张诗妮 ZHANG Shini(China West Normal University,Nanchong 637009,China)

机构地区：[1]西华师范大学,四川南充637009

出　　处：《金华职业技术学院学报》2024年第5期88-92,共5页Journal of Jinhua Polytechnic

摘　　要：陀思妥耶夫斯基在其文学作品中以惊人的创造力与先进的性别理念塑造了大量被欺辱的女性形象,这些女性各自以不同的方式反抗“男权社会”。在男性占据支配地位的社会结构中,福柯关于权力的论述是探讨女性问题的重要理论依据。基于福柯的话语理论、身体理论、凝视理论,研究陀思妥耶夫斯基的作品,总结出女性解放应更加注重追求自由精神以及主体意识回归的结论,而非仅仅局限于物质表面,这正是对福柯强调人的自我觉醒这一主题的呼应。Dostoevsky’s literary works are full of contradictory relationships between men and women.With astonishing creativity and advanced gender concepts,he has created a large number of humiliated female images,all of whom have made resistance to the“patriarchal society”in their own ways.In the social structure where men dominate,Foucault’s discourse on power is an important theoretical basis for exploring women’s issues.Through the application of Foucault’s discourse theory,body theory,and gaze theory,this article concludes that women’s liberation should focus on pursuing the spirit of female freedom and the return of individual consciousness,rather than just being limited to the material surface.This is precisely the call for Foucault to emphasize human self-awareness.

关 键 词：女性主义 福柯 陀思妥耶夫斯基 权力观 

分 类 号：I106.4[文学—世界文学]