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作 者:张西艳[1]
机构地区:[1]广东外语外贸大学南国商学院,广州510545
出 处:《广东外语外贸大学学报》2015年第3期19-23,共5页Journal of Guangdong University of Foreign Studies
摘 要:意识流技巧是作家表现人物意识活动的文学手段。自与意识流文学邂逅之后,川端康成的文学创作历经对意识流技巧的尝试、模仿、创造性运用和自觉运用四个明显的阶段。其中既有川端康成个人对创作艺术的执著探索,也有当时社会背景和文坛状况的影响,且与川端康成本人的个人体验有着解不开的渊源。川端康成在将个人体验融入创作的同时,通过对意识流技巧的运用,找到了表达主人公内心愿望的捷径,并将其融入到日本民族文学传统中。The Stream of Consciousness is a kind of technique used by authors to express characters' conscious activities. Since his first encounter with the stream-of-consciousness literature,Yasunari's literary production has gone through four distinct periods: attempt,imitation,creative application and spontaneous application. The appearance of the four periods is not only the result of his own persistent pursuit,but also a result of his personal experience and the social background. By integrating his personal experience with his literary works,Yasunari found the shortcut to express the protagonists' inner desires with the application of stream of consciousness,which was finally integrated into Japanese folk literature.
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