由歌剧《白毛女》引发的“新歌剧”论辩研究——以1945—1949年“新歌剧”论辩现象为例  

The White-haired Girl:A Study of“New Opera”Debate from 1945 to 1949

作　　者：郑思诗 Zheng Sishi

机构地区：[1]中国美术学院,杭州310002

出　　处：《音乐文化研究》2024年第4期36-44,共9页Music Culture Studies

摘　　要：作为一部经典的歌剧作品,《白毛女》自诞生以来即引起文艺界的广泛关注与讨论,围绕它形成了大量艺术观点,为“新歌剧”的创作与理论发展写下浓墨重彩的一笔。相较于研究较为充分的中华人民共和国成立后的史料,文章广泛撷取了1945—1949年的报刊文章,归纳整理了其中由《白毛女》产生的诸多艺术观点,通过解读、对比等方法,审视这一时期的各类歌剧思维,分析由之产生的对“新歌剧”的影响,为当代中国歌剧的发展正本溯源,建言献策。As a classic opera.The White—Haired Girl has gained widespread attention and sparked significant discussion within the artistic community since its debut.Numerous artistic perspectives have emerged around the work,contributing substantially to the creation and theoretical development of“New Opera”in China.Drawing extensively on newspaper and magazine articles from 1945 to 1949.this article summarises key artistic viewpoints inspired by The White-Haired Girl and explores various modes of operatic thought during this period.Through interpretive and comparative analysis,this study investigates the opera-related ideologies of the time and their influence on“New Opera.”offering fresh insights into the historical development of contemporary Chinese opera.

关 键 词：“新歌剧” 歌剧思维 《白毛女》 

分 类 号：J609.26[艺术—音乐]