周大风对越剧男女合演的探索与贡献——以现代小戏《风雪摆渡》为例  

Zhou Dafcng’s Contribution to the Male-Female Performance in Yue Opera:A Case Study of Modern Short Opera Ferrying in the Storm

作　　者：施王伟 Shi Wangwei

机构地区：[1]浙江艺术职业学院,杭州310059

出　　处：《音乐文化研究》2024年第4期55-61,共7页Music Culture Studies

摘　　要：周大风先生是我国著名的音乐家,他在不同时期有不同的音乐贡献和音乐发挥,如20世纪五六十年代在浙江越剧男女合演上是一位积极的探索者和改革者,取得的成绩非同小可。文章以越剧现代小戏《风雪摆渡》为例,从“现代小戏《风雪摆渡》是一出怎样的戏”“周大风如何为现代小戏《风雪摆渡》设计音乐唱腔”和“周大风对越剧男女合演的经验之谈”三方面,谈周大风先生对浙江越剧男女合演的探索和贡献,旨在推动新时代越剧男女合演进一步向前发展。Zhou Dafeng.a renowned Chinese musician,made significant contributions to music at various stages of his career.In the 1950s and 1960s.he became a leading innovator and reformer in integrating male and female performers in Zhejiang Yue opera,achieving remarkable success.Based on a case study of modern Yue opera short play Ferrying in the Storm,this article examines Zhou Dafeng’s exploration and contributions from three perspectives:the characteristics of the play Ferring in the Storm,Zhou Dafeng’s musical composition,and the integration of male-female performances in Yue opera.This study aims to advocate the further development of male-female performance in Yue opera in the modem era.

关 键 词：周大风 越剧男女合演 《风雪摆渡》 

分 类 号：J603[艺术—音乐]