电子音乐的组织结构与诗意化呈现——安承弼作品Sound Assembly技法探微  

Organisation and Poetic Presentation in Electronic Music:A Case Study of An Chengbi’s Sound Assembly

作　　者：饶泽荣 Rao Zerong

机构地区：[1]江西省政府文史研究馆 [2]南昌大学艺术学院,南昌330031

出　　处：《音乐文化研究》2024年第4期100-114,共15页Music Culture Studies

摘　　要：安承弼为钢琴独奏和电子音乐创作的Sound Assembly,运用“预置声音+钢琴演奏+人机交互”的演奏方式,探索声音设备与电子系统之间的关系,将钢琴现场演奏与电子声音进行实时合成,开拓了多维空间的声音回响,并运用音集统一、踏板动机以及声音激振方式的内在关联形成严密的组织结构,将预置声音的“定格性”与现场演奏的“随机性”有机结合,在绝对控制与自由演化之间寻求有机联系,创造出富有诗意的奇妙音响,这一作品将给当代电子音乐的创作带来新的启示。An Chengbi’s Sound Assembly,composed for solo piano and electronic music,employs a performance method that integrates pre-set sounds,piano performance and human-computer interaction.This innovative approach explores the relationship between sound devices and electronic systems,combining live piano performance with real-time synthesis of electronic sounds.The composition creates a multidimensional spatial resonance by unifying sound collections,employing pedal motives,and establishing intrinsic connections between sound excitation methods.It achieves a cohesive organizational structure by merging the fixed nature of pre-set sounds with the randomness of live performance,striking a balance between absolute control and free evolution.The resulting poetic and extraordinary soundscape offers new insights for contemporary electronic music composition.

关 键 词：安承弼 电子音乐 声音的集合 结构与诗意 Sound Assembly 

分 类 号：J647.7[艺术—音乐]