论艾青当代文学初期的域外书写  

Ai Qing’s Overseas Writings in the Early Contemporary Literary Period

作　　者：程影 卢桢[1] CHENG Ying;LU Zhen(School of Literature,Nankai University,Tianjin 300071,China)

机构地区：[1]南开大学文学院,天津300071

出　　处：《中北大学学报(社会科学版)》2025年第1期50-57,共8页Journal of North University of China:Social Science Edition

基　　金：国家社会科学基金项目:中国当代作家域外出访写作研究(1949-1966)(21BZW147)。

摘　　要：新中国成立之初,作家的集体域外出访承担着国家文化交流的责任,出访写作被赋予塑造国家想象的功能。当代文学初期,艾青的域外出访写作具有时代文学的整体性特征,较之现代文学时期,诗人的抒情风格由忧郁转向欢乐,情感焦点由对中国大众劳苦的揭示转向对黑人民族的人道主义同情。同时,域外风景和人情刺激了诗人心绪,使其诗歌中的现实联想、情感抒发、物象思索以及意象使用都有了新变化,呈现出更为真实也更深沉的精神主体形象,整体上昭示了诗人向早年艺术追求的复归。作为出访写作的代表诗人,艾青某种程度实现了十七年时期“变”与“不变”“现实”与“艺术”“公开”与“私人”等重要议题的微妙平衡。In the early years of the People’s Republic of China,writers’participating in overseas group visits undertook a national mission for cultural exchange,with their travel writings expected to contribute to shaping China’s national identity.During this period,Ai Qing’s overseas writings reflect the unique charac-teristics of the time.His lyrical style transformed from melancholy to joy,and his focus shifted from depict-ing the hardships of the Chinese people to expressing humanitarian sympathy for Black communities.Foreign landscapes and social atmospheres inspired new emotional responses in the poet,influencing his poetic asso-ciations,emotional expressions,object reflections,and imagery use.This evolution created a more authen-tic and profound poetic voice,echoing a return to his early artistic ideals.As a leading poet of travel writ-ing,Ai Qing skillfully balanced major themes of the“Seventeen Years”period,such as“change”versus“constancy”,“reality”versus“art”,and“public”versus“private”concerns.

关 键 词：艾青 域外 风景体验 出访写作 

分 类 号：I206[文学—中国文学]