作为文学景观的桑干河——以唐宋诗为中心的考察  

The Sanggan River as a Literary Landscape in Tang and Song Dynasty Poetry

作　　者：孟丽红 杨万里[1] MENG Lihong;YANG Wanli(School of Chinese Language and Literature,Shanxi University,Taiyuan 030006,China)

机构地区：[1]山西大学文学院,山西太原030006

出　　处：《中北大学学报(社会科学版)》2025年第1期64-70,共7页Journal of North University of China:Social Science Edition

基　　金：2023年山西省研究生实践创新项目:唐宋诗中的山西地域文学景观及其对外传播研究(2023SJ004)。

摘　　要：山西雁北地区,处于少数民族与汉民族交流的关键地带,桑干河作为雁北地区重要的水系,与雁门关、恒山山脉等共同构成了抵御少数民族入侵的天然屏障,因此作为“战争”的代名词,成为文学世界中的一个常见意象。历代诗人对桑干河的文学书写,将其逐渐塑造为兼具自然属性和文学属性的文学景观,包含着多重审美意蕴和情感内涵,其中尤以唐宋诗人的书写最具典型意义。他们以桑干河为媒介,抒发对战争的痛恨、对国家的担忧以及羁旅的哀愁,勾勒出独特的人文精神与时代风貌。这些诗歌蕴含着多重文化特质,以“尚武”最为鲜明,显示出雁北地区独特的文化性格,充分展示出桑干河的文学价值,丰富了我们对山西地域文化的认知。The Yanbei region in Shanxi has long served as a cultural crossroads between ethnic minori-ties and the Han Chinese.The Sanggan River,a prominent waterway in Yanbei,along with the Yanmen Pass and Hengshan Mountains,forms a natural barrier that historically protected against invasions by ethnic minorities.Over time,the river has come to symbolize“war”,emerging as a recurring literary motif.For centuries,Chinese poets have imbued the Sanggan River with both natural beauty and profound literary meaning,attributing to it a layered aesthetic and emotional significance.In Tang and Song dynasty poetry,in particular,the river represents themes of sorrow over war,patriotic sentiment,and the grief of exile,thus capturing the spirit of the era.These poems also reveal the unique cultural attributes of the Yanbei region,especially a distinctive martial character that reflects its historical landscape.Through these poetic portray-als,the Sanggan River serves as a lens into the rich regional culture of Shanxi.

关 键 词：桑干河 文学景观 山西 地域文化 

分 类 号：I207.2[文学—中国文学]