符号学视域下晋系青铜编钟纹饰研究  

Study on the Patterns of Jin Bronze Chimes from a Semiotic Perspective

作　　者：李梦涵 温洁 LI Menghan;WEN Jie(The Arts Faculty,North University of China,Taiyuan 030051,China)

机构地区：[1]中北大学艺术学院,山西太原030051

出　　处：《中北大学学报(社会科学版)》2025年第1期98-105,共8页Journal of North University of China:Social Science Edition

基　　金：2023年山西省艺术科学规划项目:符号学视域下晋系青铜编钟的数字化研究(23BD052)。

摘　　要：晋系青铜编钟是先秦礼乐精神的重要载体,晋系青铜编钟纹样是研究“三晋文化”不可或缺的重要部分。皮尔斯符号学所构建的三元关系对于研究晋系青铜编钟纹样有着重要作用,首先揭示了晋系青铜编钟纹样符号所具有的图腾崇拜与政治谋求的文化价值;其次总结了晋先民灵感创造下以抽象提炼与重复排布为主的异化表现方式;最后,还需要结合人工智能技术,通过纹样造型、工艺、展示的创新,让青铜艺术文化在新时代焕发新的生命力。Jin bronze chimes are a significant carrier of the pre-Qin ritual and musical culture,and the patterns on these bells are essential for understanding the“Three Jin Cultures”.Peirce’s triadic model in semiotics plays an important role in studying the patterns of Jin bronze chime.Firstly,it reveals the cultural values of totem worship and political aspirations embedded in the symbolic patterns of these bells.Secondly,it identifies the unique expression of alienation-primarily through abstraction and repetitive arrangements-rooted in the creativity of the Jin ancestors.Finally,incorporating artificial intelligence in the study of pat⁃tern shapes,craftsmanship and display innovations can breathe new life into the art of bronze culture in the modern era.

关 键 词：晋系青铜编钟 符号学 纹样 晋文化 青铜艺术 

分 类 号：K876.41[历史地理—考古学及博物馆学] J01[历史地理—历史学]