清代至民国时期黄道周书法接受研究  

On the Acceptance of Huang Daozhou’s Calligraphy During the Period of the Qing Dynasty and the Republic of China

作　　者：葛超 Ge Chao

机构地区：[1]山东大学儒学高等研究院,山东济南250100

出　　处：《闽台文化研究》2024年第3期44-54,共11页Fujian-Taiwan Cultural Research

摘　　要：黄道周的书法具有“古拙方劲、端正浑深”的艺术特征,在书法史上具有重要意义。清代、民国书家对石斋书多有接受,对其行草书的接受主要得其绵密的体式以及戈戟森厉的用笔;对其楷书的接受,主要得其清截流媚的特征;对其隶书的接受,主要得其“化隶为楷行草”的理路。清代至民国书家对黄道周书法的接受具有接续性、广泛性。清代民国书家对黄道周遒媚古拙的艺术特征的诠释与接受对近现代学书具有启发意义。Huang Daozhou's calligraphyembodies the artistic characteristics“ancient and clumsy,upright and profound”.which is of great significance in the history of calligraphy.It was widely accepted by the calligraphers in the Qing Dynasty and the Republic of China:the acceptance of its cursive script was mainly due to its dense posture and the sharp use of the strict penmanship;the acceptance of its regular script due to its clear and charming characteristics,and the acceptance of its official script due to its rationale of turning“the regular into the official and cursive”.The interpretation and acceptance of the artistic characteristics of the Huang Daozhou by the calligraphers in the Qing Dynasty and the Republic of Chinaare of enlightening significance to modern scholars.

关 键 词：黄道周书法 接受 清代 民国时期 

分 类 号：J29[艺术—美术]