白马藏族“沙嘎帽”源流探赜  

Exploring the Headstream of the“Shaga Hat”of the Baima Tibetan

作　　者：张犇 张知临 Zhang Ben;Zhang Zhilin

机构地区：[1]南京师范大学美术学院 [2]苏州大学艺术学院

出　　处：《艺术设计研究》2024年第6期42-46,共5页Art & Design Research

基　　金：2021年度国家社科基金艺术学一般项目《西部氐、羌造物文献整理与研究》(项目编号:21BG112)的阶段性成果。

摘　　要：“沙嘎帽”是白马藏族特有的帽冠和族群标识,是白马藏族为满足其“可见性”族群认同诉求的群体性创建行为。从对“沙嘎帽”与历史上的“浑脱帽”的比较分析可见,二者在造型、材料、技艺等表征上存在有高度的关联性。本文以“物象”为切入点,从文化发生学的角度追溯“沙嘎帽”与“浑脱帽”间潜在的源流关系,力图确认白马藏族“可见性”族群认同诉求逻辑起点的合理性。The“Shaga hat”is a unique hat and ethnic symbol of the Baima Tibetan,which is a collective creation behavior of the Baima Tibetan to meet with their“visibility”ethnic identity demands.From the comparative analysis of the“Shaga hat”and the historical“Hun Tuo hat”,it can be seen that there is a high degree of homology between the two in terms of shape,material,and craftsmanship.This article takes“objects”as the starting point and traces the potential origin relationship between the“Shaga hat”and“Hun Tuo hat”from the perspective of cultural genesis,aiming to confirm the rationality of the logical starting point of the ethnic identity demand for the“visibility”of the Baima Tibetan.

关 键 词：白马藏族 沙嘎帽 浑脱帽 源流 

分 类 号：J523[艺术—艺术设计]