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作 者:周宏亮 ZHOU Hongliang(School of Literature and Journalism,Changsha University of Science and Technology,Changsha 410047,China)
机构地区:[1]长沙理工大学文学与新闻传播学院,湖南长沙410076
出 处:《湖北师范大学学报(哲学社会科学版)》2025年第1期59-65,共7页Journal of Hubei Normal University(Philosophy and Social Science)
基 金:2024年度湖南省教育厅科学研究项目“西班牙古典戏剧的表演史研究(1499-1681)”(24B0309)。
摘 要:性别平等与两性关系是欧美戏剧学术界近年来的研究热点之一。对于女性的尊重与关怀也是我国当下重要的社会议题。本文以17世纪西班牙戏剧《女人与仆人》为研究对象,基于详实的英语和西语历史文献的考证,分析了剧作中所展现了17世纪西班牙父权制社会的两性关系与医疗仪式。落后的医疗观念与时代的沉疴遍地,让彼时的西班牙贵族女性没有控制自己身体的权利,她们在男性的凝视之下,被迫饮下钢水。当疾病变成了主观的发明,吃药也就变成了对女性的规训。Gender equality and gender relations has emerged as one of the focal points of research in European and American theatrical academia in recent years.Respect and care for women also constitute significant societal issues in contemporary China.This paper takes the 17th-century Spanish play“Mujeres y Criados”as its object of study.Based on meticulous research into detailed historical documents in English and Spanish,it analyses the gender relations and medical rituals in the 17th-century Spanish patriarchal society depicted in the play.Backwards medical beliefs and pervasive societal ills of the era stripped Spanish aristocratic women of the right to control their own bodies.They were forced to ingest molten steel under male scrutiny.When illness became a subjective invention,medication consumption transformed into a form of discipline for women.
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