且将新火试新茶——郑振铎对中国文学史体裁的发展与创新  

Development and Innovation of Genres in Chinese Literary History by Zheng Zhenduo

作　　者：陈少娜 张真[1] CHEN Shaona;ZHANG Zhen(School of Humanities,Wenzhou University,Wenzhou,Zhejiang 325035)

机构地区：[1]温州大学人文学院,浙江温州325035

出　　处：《湖南第一师范学院学报》2024年第6期89-98,共10页Journal of Hunan First Normal University

基　　金：温州大学硕士研究生创新基金项目“郑振铎与中国俗文学体系的发展”(3162024004046)。

摘　　要：20世纪初,“中国文学史”的编撰成为学界热点,郑振铎指出了当时国内外9部《中国文学史》在体裁上的不足,并要求产生“完备的中国文学史”。面对当时文坛两种极端的文学观念,郑振铎选择了“自然”的文学观,并通过搜寻海外文献,重点研究俗文学。在俗文学研究中,“文体进化”成为郑振铎30年代划分文学史分期的重要依据;在社会历史发展和个人的思想变革下,郑振铎于50年代又以社会性质为主对文学史进行重新分期。郑振铎的文学史编撰从人民史观的视角,更新了文学史表述,又以创新的文学观与编撰方法在《插图本中国文学史》中呈现了全新的文学史面貌。At the beginning of the 20th century,the compilation of the“History of Chinese Literature”became a hot topic in the academic community.Zheng Zhenduo pointed out the deficiencies in genre of the nine books on Chinese literary history at home and abroad at that time,and demanded the production of a“complete history of Chinese literature”.two extreme literary concepts in the literary world at that time,Zheng Zhenduo chose the“natural”literary view from the two extreme literary concepts in the literary world ath that time and focused on studying popular literature through the search for overseas literature.In the study of popular literature,“literary style evolution”became an important basis for Zheng Zhenduo to divide literary history into stages in the 1930s.Under the development of social history and personal ideological changes,Zheng Zhenduo redivided literary history in the 1950s with a focus on social nature.At the same time,Zheng Zhenduo’s compilation of literary history restated the expression of literary history from the perspective of the people’s historical view.Zheng Zhenduo presented a completely new literary history in“History of Chinese Literature with Illustrations”with innovative literary views and editing methods.

关 键 词：郑振铎 中国文学史 文学史分期 文学史表述 

分 类 号：I209[文学—中国文学]