卧游与朝鲜文人的中国文学图景想象  

Mind Travel and Korean Literati's Imagination of Chinese Literary Scenes

作　　者：许宁 Xu Ning(College of Literature,Guangxi Normal University,Guilin,Guangxi 541004,China)

机构地区：[1]广西师范大学文学院,广西桂林541004

出　　处：《大理大学学报》2025年第1期49-55,共7页Journal of Dali University

基　　金：教育部人文社会科学研究青年基金西部和边疆地区项目(21XJC751003)。

摘　　要：朝鲜文人基于中国文学图景而发生的卧游行为,架起了文本与想象、图像与真景之间的桥梁,这是中国文学在域外传播中不容忽视的接受现象。借助于“以画卧游”“以文卧游”“以景卧游”,朝鲜文人既实现了替代实地之行的自我消遣,也与中国文学及其艺术精神在精神层面产生了高度契合与创造性超越。由文到画、再到实景空间的再现,充分展现了中国文学在古代朝鲜半岛与其他艺术门类的交织会通,东亚文化共相也由此而生。The mind travel activities of Korean literati,which are based on Chinese literary scenes,have erected a bridge between texts and imagination,as well as between images and real landscapes.This is an acceptance phenomenon that cannot be overlooked in the overseas dissemination of Chinese literature.By means of"mind travel through paintings","mind travel through writing"and"mind travel through scenery",Korean literati have not only achieved self-entertainment as a substitute for on-site travels but also reached a high degree of congruence and creative transcendence with Chinese literature and its artistic spirit on a spiritual level.The progression from texts to paintings and then to the representation of real scene spaces fully showcases the interweaving and convergence of Chinese literature with other art forms on the ancient Korean Peninsula,from which the commonalities of East Asian culture have emerged.

关 键 词：卧游 文学图景 朝鲜汉学 实景空间 

分 类 号：I209[文学—中国文学]