“越剧《新龙门客栈》热”背后的“冷思考”  

“Popularity”of Yue Opera New Dragon Gate Inn Calls for“Cool Reflection”

作　　者：王姝[1] WANG Shu

机构地区：[1]浙江工业大学人文学院,杭州310023

出　　处：《浙江艺术职业学院学报》2024年第4期13-17,共5页Journal of Zhejiang Vocational Academy of Art

摘　　要：越剧《新龙门客栈》的主体观众由年轻人并且是从未接触过传统戏曲的年轻人构成,“越剧《新龙门客栈》热”已经成为传统戏曲复兴的标志级现象。越剧《新龙门客栈》在艺术与传播之间落差现象的本质,其实是娱乐与教化的矛盾。越剧《新龙门客栈》的重返市场、重归娱乐,又引发了人们对戏曲变革的多种争论。The main audience of the Yue Opera New Dragon Gate Inn comprises young people,particularly those who have never been exposed to traditional opera before.The“Popularity”of Yue Opera New Dragon Gate Inn has emerged as a landmark phenomenon in the revival of traditional opera.The essence of the disparity between art and dissemination in the Yue Opera New Dragon Gate Inn is actually the contradiction between entertainment and education.The re-entry of the Yue Opera New Dragon Gate Inn into the market and its return to entertainment have triggered various debates on the transformation of opera.

关 键 词：《新龙门客栈》 “越剧《新龙门客栈》热” 冷思考 

分 类 号：J805[艺术—戏剧戏曲]